Haval H9: Your Path – Your Rules

During pre-production, we find suitable locations in the Leningrad Region: a pine forest, fields, a dirt road by the river, and a rocky shore with a lake view. We conduct casting and fittings. Together with the director and cinematographer, we determine the working areas. We shoot the project on an Arri Mini with Arri Master Prime lenses, also using an Angenieux EZ-2 15-40 mm zoom lens and a BMPCC 6K for crane and car mount shots. For drone shots, we use an Inspire with an Olympus 25 mm lens, and the U-Bangi-Slider Panther is perfect for filming car interiors. Two stunt cars allow us to shoot different scenes simultaneously with two units. The client and the advertising agency are on set daily, reviewing each shot. We set up a comfortable playback zone with a monitor for their convenience. The first draft of the edit is ready the day after filming wraps. The logger creates backups of the footage and provides the director with lighter versions of video fragments, enabling quick approval of all iterations with the client. The speed of ad production, from development to final delivery, is crucial.